Opening for Scene Queen at Chicago’s House of Blues, Bailey Spinn brought her own brand of pop-punk attitude, emotional lyrics, and infectious energy to the stage. Blending early 2000s emo influences with a modern alternative edge, Spinn delivered a set that felt right at home alongside Scene Queen’s unapologetic sound. Kicking things off with “start again” and “voodoo,” she wasted little time introducing the crowd to her mix of catchy melodies, heavier instrumentals, and raw emotion. Whether fans were already familiar with her music or hearing her for the first time, Spinn’s sound made a strong case for why she’s an artist worth keeping an eye on.

As the set continued, tracks like “The Best of Us,” “Long Sleeves in the Summer,” and “Pins and Needles” showcased Spinn’s ability to balance vulnerability with the punchy, guitar-driven sound that defines her music. One of the standout moments in the referenced setlist was her cover of Sleeping With Sirens’ “Better Off Dead,” a fitting nod to the post-hardcore and emo influences that have helped shape her style. The combination of emotionally charged songwriting and pop-punk hooks gave the performance plenty of variety, while still maintaining the energy you’d expect from a show headlined by Scene Queen.

Closing out with “Happy Ending” and “Homicide,” Spinn’s set offered a strong introduction to an artist carving out her own space in the alternative music scene. Her ability to blend nostalgic emo influences with a fresh, modern approach makes her music accessible without losing the edge that gives it personality. Opening for an artist like Scene Queen feels like a natural fit, bringing together two performers who aren’t afraid to push boundaries and embrace their individuality. For those unfamiliar with Bailey Spinn before walking into the House of Blues, her performance offered plenty of reasons to give her another listen.